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The past century of Finnish design has been highlighted by many faces. These celebrated and on the other hand anonymous designers have formed a foundation for Finnish design, which both industrial design and crafts rely on. The virtual exhibition shows the faces of Finnish design and its recent history as a continuum that spans from the end of the 19th century to this day.
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Herman Gesellius, Armas Lindgren, Eliel Saarinen, the Finnish Pavillion at the World Fair in Paris, 1900.
The 1900 Paris Exhibition marked a turning point in the history of Finnish industrial art. For the first time Finland had a pavillion of its own.
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The Iris Room, Finnish Pavillion at the Paris Exhibition, 1900.
The industrial art section, known as Iris Room, featured ceramics from the Iris Factory as well as furniture designed by Akseli Gallen-Kallela. Gallen-Kallela had also designed the furnishing textiles which were made by the Friends of Finnish Handicraft.
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Alfred William Finch/Iris, red clay vessels, 1897-1902, photo Rauno Träskelin.
A.W.Finch (1854-1930)
A.W.Finch, the English-Belgian ceramist was invited by Louis Sparre in 1897 to start manage a ceramics department at the Iris factory. After the Iris factory ceased operating, Finch became the first teacher of ceramic art at the School of Applied Arts.
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Louis Sparre, sketch, Diningroom, 1903, photo Rauno Träskelin.
Louis Sparre (1866-1964)
Enticed here by Akseli Gallen-Kallela, Louis Sparre, a Swedish count, came to Finland in 1889. He founded the Iris Factory in Porvoo in 1897. The aim was to produce furniture and ceramics of high aesthetic standards.
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Eric O.W.Ehrström, bowl, 1913, photo Rauno Träskelin.
Eric O.W.Ehrström (1881-1934)
Eric O.W.Ehrström was a versatile artisan like many other artists at the beginning of the 20th century. Among his most important works are the bronze doors for the National Museum.
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Valter Jung, cupboard, 1903, photo Rauno Träskelin
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Gerda Thesleff, pot, 1920s, photo Rauno Träskelin
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Henry Ericsson/Riihimäen Lasi, set of glasses H.E., 1928
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Eva Gyldén, Cameo, mussel shell, 1929, photo Rauno Träskelin
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Impi Sotavalta/Friends of Finnish Handicarft, rug, 1929, photo Rauno Träskelin.
The Friends of Finnish Handicraft was founded in 1897, on the initiative of the artist Fanny Churberg, and with the aim of preserving and transmitting Finnish handicraft and its traditional models to future generations.
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Werner West/Keravan puusepäntehdas, chair, 1929-30
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Aino Aalto/Karhula, series of pressed glass Aalto, 1932, photo Rauno Träskelin.
Aino Aalto (1894-1949)
Aino Aalto was a versatile architect and designer. She designed furniture, textiles and objects. Aino and Alvar Aalto founded Artek together with Maire Gullichsen and Nils-Gustav Hahl.
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Greta-Lisa Jäderholm-Snellman/Arabia, tableware Koti, 1932, photo Aimo Hyvärinen
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Kurt Ekholm/Arabia, tableware Sinivalko, 1936, photo Rauno Träskelin
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Margareta Ahlstedt-Willandt, tapestry Bathing Girls, 1930s, photo Rauno Träskelin
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Elsa Arokallio, armchair for the Ladies rooms in the Parliament House, 1930, photo Rauno Träskelin
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Alvar Aalto/O.Y. Huonekalu- ja Rakennustyötehdas A.B., Paimio armchair, 1931-32, photo Rauno Träskelin.
Alvar Aalto (1898-1976)
Alvar Aalto has had an important role in the Finnish architecture and furniture design. The Paimio Sanatorium is a fine example of Aalto´s functionalist "gesamtkunstwerk".
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Furniture: Alvar Aalto/O.Y. Huonekalu- ja Rakennustyötehdas A.B. and P.E. on the wall: Maija Kansanen, tapestry, 1930, photo Rauno Träskelin
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Tapio Wirkkala/Iittala, Kantarelli, 1946, photo Rauno Träskelin.
Tapio Wirkkala (1915-1985)
Wirkkala´s creative work always based itself on a firm knowledge of materials and working methods, no matter what the material was. He designed for example glass, ceramics, metal, wood and plastics.
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Gunnel Nyman/Nuutajärvi, vase Helminauha, 1948, photo Rauno Träskelin.
Gunnel Nyman (1909-1948)
Educated as an interior designer, Gunnel Nyman started to design glass for the Riihimäki Glassworks already in the early 1930´. She designed both everyday tableware and art glass objects.
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Kaj Franck/Arabia, Kilta series, 1948, photo Rauno Träskelin.
Kaj Franck (1911-1989)
Kaj Franck was the artistic leader at Arabia since 1945.
Kilta was not a set in the traditional sense, but a modular series of wares that could be combined freely according to the user´s needs.
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Birger Kaipiainen/Arabaia, plate, 1940s, photo Rauno Träskelin.
Birger Kaipiainen (1915-1988)
Birger Kaipiainen worked as an artist with the Arabia factory since 1937. He created unique art pieces except the tableware Paradise. For the 1960 Milan Triennale Kaipiainen made faience birds with pearl decorations in the spirit of surrealism.
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Ilmari Tapiovaara/Keravan Puuteollisuus, Domus, 1946, photo Auvo Lukki.
Ilmari Tapiovaara (1914-1999)
Ilmari Tapiovaara was a central figure in the post-war reconstruction work. The first big assignment for him was designing the furniture for the Domus Academica (student hostel of the Helsinki University).
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Paavo Tynell/Taito, table lamp, 1941, photo Museokuva
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Greta Skogster-Lehtinen, birch-bark wallpaper, 1942, photo Jean Barbier
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Eva Brummer/Friends of Finnish Handicraf, rug Zebra, photo Aimo Hyvärinen
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Vuokko Nurmesniemi/Marimekko, Tiibet, 1952.
Vuokko Nurmesniemi (1930-)
Vuokko Nurmesniemi designed patterns for printed fabrics for Marimekko in the 50s. She founded her own company called Vuokko in 1964.
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Saara Hopea/Nuutajärvi, stacking glasses, 1951-52, photo Rauno Träskelin.
Saara Hopea (1925-1984)
Interior architect Saara Hopea designed lamps for Taito. In the 50s she collaborated with Kaj Franck at Nuutajärvi Glassworks.
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Bertel Gardberg, Cocoa pot, 1955, photo Rauno Träskelin.
Bertel Gardberg (1916-2007)
Bertel Gardberg created the modern Finnish silversmith´s art. He has designed for example jewelry and cutlery.
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Antti Nurmmesniemi/Wärtsilä, filtre coffee pot, 1958, photo Lars Rebers
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Timo Sarpaneva/Iittala, series of glasses, 1956, photo Rauno Träskelin.
Timo Sarpaneva (1926-2006)
Timo Sarpaneva has designed glass, steel, creamics and plastic objects and graphics and printed textiles as well. In the middle of 50s he designed series of glasses called "i" for Iittala.
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Rut Bryk/Arabia, ceramic relief Virgin with Child, 1951, photo Rauno Träskelin.
Rut Bryk (1916-1999)
Rut Bryk started working for Arabia in 1942. She created unique art ceramic pieces. In her early painted plaques she used everyday subjects. Works designed in the 70s and 80s are often large scale wall reliefs.
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Lisa Johansson-Pape/Orno,
hanging lamps, 1950s, photo Rauno Träskelin.
Lisa Johansson-Pape (1907-1989)
Lisa Johansson-Pape designed lamps for Orno. She designed lighting for 150 churches and for other public spaces.
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Richrad Lindh/Wilh. Bensow, Solifer moped, 1958, photo Rauno Träskelin
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Ilmari Tapiovaara/Asko, chair Aslak, 1957, photo Rauno Träskelin
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Tapio Wirkkala/Iittala, Ultima Thule, 1968, photo Rauno Träskelin
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Timo Sarpaneva/W.Rosenlew & Co, vpan, cast iron, 1961, photo Rauno Träskelin
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Olof Bäckström/Fiskars, scissors, 1967 (orange), Olavi Lindén (red) photo Rauno Träskelin
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Eero Aarnio/Asko, Pastilli, 1968, photo Rauno Träskelin.
Eero Aarnio (1932-)
Eero Aarnio became interested in plastics in the early 60s. His first bold experiment with the materilal was the Globe chair in 1963, which proved to be an international succes at the 1966 Cologne Furniture Fair.
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Maija Isola/Marimekko, Melooni, 1963.
Maija Isola (1927-2001)
Maija Isola sought a new image for printed fabrics. Her works are known for their large, bold designs and rich colours.
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Antti and Vuokko Nurmesniemi, chaise longue; Maija Isola/Marimekko, Unikko; Yrjö Kukkapuro/Haimi, Karuselli chair and table; Eero Aarnio/Asko, Pastilli; Heikki Turunen /Orno, table lamp, 1960s Exhibition living room at the Design Museum. photo Rauno Träskelin
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Antti Nurmesniemi, chair Triennale, 1960, in new-production, producer Piirainen.
Antti Nurmesniemi (1927-2003)
Antti Nurmesniemi is one of the designers who has been greatly influenced by modern Finnish architecture. He designed timeless furniture, lamps, interior designs and everyday objects.
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Yrjö Kukkapuro/Haimi, Karuselli, 1965, photo Rauno Träskelin.
Yrjö Kukkapuro (1933-)
Yrjö Kukkapuro designs innovative furniture and focused on ergonomic values.
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Heikki Poutiainen, Pentti Toivonen/Wärtsilä, padlocks Abloy, 1970s, photo Rauno Träskelin
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Oiva Toikka/Nuutajärvi, glass sculpture, 1970s, photo Rauno Träskelin
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Björn Weckström/Lapponia Jewelry, Kilimandjaro, 1974, photo Winfrid Zakowski
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Olli Tamminen, pendant, 1970s, photo Rauno Träskelin
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Kyllikki Salmenhaara, Kietaisu, 1979, photo Rauno Träskelin.
Kyllikki Salmenhaara (1915-1981)
Kyllikki Salmenhaara worked as an artist for the Arabia Factory since 1947. She respected the laws inherent in the material. She made experimentations with ceramic masses and glazing. She was a teacher of ceramics at the University of Design.
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Kaj Franck/Sarvis, Pitopöytä range, 1979
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Ristomatti Ratia/Treston, Lokerikko, Palaset series, 1970s
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Maija Lavonen, art textile Tila I, 1980-81, photo Rauno Träskelin.
Maija Lavonen (1931-)
Maija Lavonen has been a free lance textile designer from the beginning of the 70s.
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Antti Nurmesniemi, Börje Rajalin/Valmet Oy, Oy Strömberg Ab, Helsinki metro rolling stock, 1979, in traffic since 1982.
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Fujiwo Ishimoto/Marimekko, printed fabric Maisema, 1983, photo Rauno Träskelin
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Antti Nurmesniemi/Fujitsu Ltd, telephone, 1984, photo Rauno Träskelin
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Stefan Lindfors, Scaragoo, photo Museokuva
Stefan Lindfors (1962-)
Lindfors’ break-through on the international design scene was his lamp “Scaragoo”, introduced at the Milan Furniture Fair in 1988. He has designed furniture, fabrics, fashion as well as graphic design.
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Hannu Kähönen/Moform, Trice, 1985.
Hannu Kähönen (1948-)
Hannu Kähönen founded his own company Creadesign in 1981. He has designed utility articles, machines and for example the Helsinki low floor tram.
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Janna Syvänoja, brooch, 1991, photo Jean Barbier
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Markku Salo/Iittala, Nappi, 1998, photo Indav, Markku Alatalo
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Päivi Rintaniemi/Amfora, espresso cup, 1998, photo Tuovi Hippeläinen
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Tapani Hyvönen, Matti Koivisto/Buscom, 1991
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Jarno Luukkanen, Ari Nikkola, Jorma Liljemark, Elis Cederström, Elja Perheentupa/Linja Oy/Suunto, diver´s compass SK-7 and computer called Eon Lux, 1994, photo Museokuva
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Harri Koskinen/Design House Stockhom, 1997, photo Rauno Träskelin.
Harri Koskinen (1970-)
Harri Koskinen is a young designer who has already received several design awards. His furniture and versatile design objects have aroused great international interest. He designs for Finnish and international companies - for example for Issey Miyake.
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Ilkka Suppanen, chair Nomad, prototype, 1994, photo Museokuva
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Stefan Lindfors/P.O.Korhonen, Abaqus Q2, 2000.
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Heikki Orvola/Arabia, tableware Lumi, 2002
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Jaana Reinikainen/Finlayson, Children`s textiles Hiphop, 2003
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Simo Heikkilä, exhibition LOCAL=Lukaali, 2003, photo Erno Enkenberg
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Kristina Riska, Lukemattomat rukoukset, 2005, photo Rauno Träskelin
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Work group:
Ebba Brännback
Jukka Savolainen
Leena Svinhufvud
Susanna Vakkari
Merja Vilhunen
Marianne Aav, Kaj Kalin:
Form Finland
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